Modern Milan

The last five years studying art history has taught me that there is still so much more about art to explore: new artists and art movements that I have not delved into too deeply as yet.

Margherita Sarfatti. Image: courtesy of Museo del Novecento

I will soon begin a journey in which I hope to discover new artists and aesthetics that influenced 20th century Italy. My journey will be centred around the exhibitions, museums and galleries in Milan.  One exhibition I plan to visit soon after arriving is Margherita Sarfatti at Milan’s Museo del Novecento which will run until 24 February 2019.

In viewing this exhibition I hope to discover more about this remarkable woman who was a journalist and art critic, and view some works of influential artists of the Novecento Italiano modern art movement whom Margherita championed during the 1920’s era of Mussolini and fascism.

Exhibition details for Margherita Sarfatti at the Museo del Novecento.
Check out the Museo del Novecento’s collection which includes exhibits by Picasso, Kandinsky, Georges Braque, Umberto Boccioni (including his sculpture Unique Forms of Continuity in Space, 1913).

To come… Margherita Sarfatti – the exhibition review.

Art, Venice and Peggy

Venice has been home to the international Biennale since 1895. A little known fact to some is that the Biennale was suspended during WW2, during which time the various national pavilions were commandeered for other uses and they fell into disrepair.

Bronze statue of The Angel of the Citadel by Marino Marini, on the canal forecourt of Palazzo Venier

Equally as famous as the Venice Biennale is of course the Peggy Guggenheim Collection, housed in the Palazzo Venier dei Leoni on the Grand Canal.

On reading The Unfinished Palazzo: Life, Love and Art in Venice by Judith Mackrell which shared the stories of three amazing female occupants of the Palazzo between 1910 to 1979, I was surprised to learn that the first time Peggy’s collection was exhibited in Venice was not in Palazzo Venier, Peggy’s home until her death in 1979.

But rather the artworks were a feature of the post-war Biennale when it was relaunched in 1948.  Following the end of the war, a few countries were unable to provide exhibits to the Biennale and in a bid to fill the refurbished pavilions the organisers invited Peggy to release her collection from safe storage in New York and to mount an exhibition in the vacant Greek Pavilion.

It was not until early 1949 that Peggy purchased the Palazzo Venier property and brought her collection home.

Two exhibitions not to be missed in the Peggy Guggenheim Collection are:

1948: The Biennale of Peggy Guggenheim
May 25–November 25, 2018
The museum presents an homage exhibition to mark the 70th anniversary of Peggy’s exhibition in the Greek Pavilion at the 24th Venice Biennale.

Peggy Guggenheim. The Last Dogaressa
21 September, 2019–27 January, 2020
This exhibition will celebrate Peggy Guggenheim’s Venetian life, shedding light on how she continued to add significant works of art to her collection.

Interested to know more?  Dates for the 2019 Venice Biennale are 11 May to 24 November 2019.

Time to shine

I wonder how many of us get up in the morning and say to ourselves that we will try to inspire someone today? We all have times when we need a bit of inspiration to keep us going…

Venice – where it all began for us!

I’ve been inspired by two wonderful women who I think of as my Venetian sisters: Terri has successfully submitted a15,000 word Honours thesis! Definitely not a task for the faint-hearted!

Sarah has achieved a milestone by successfully curating her first Contemporary Indigenous & Torres Strait Islander art exhibition and competition at the Parliament of NSW – a project she has been particularly passionate about!

This is their time to shine!

And me? Well, at present I’m a fledgling foreign language student.  But with two completed Italian language semesters behind me, I have gained inspiration also from a new friend, Angelo.  Angelo is from Brescia, a town near Milan, and he willingly gave of his time to converse with me in Italian. His enthusiasm and amazing ability to interpret my share of our conversations kept the fun and excitement of learning another language alive for me. Grazie milla, Angelo!

 

Cashmere and Christmas lights

An impulsive three day visit to Venice between Christmas and New Year taught me much about how magical Venice is in any season – and how cold a northern hemisphere winter can be.

Cashmere is the staple at this time – for turtleneck sweaters and scarves to keep the cold from seeping beneath jacket collars.  The humble beanie is the perfect accessory to a cashmere ensemble.  Forget chic caps or stylish soft-brimmed fedoras; only the beanie can be pulled down over exposed ears and snuggle up to a cashmere scarf at the neck. A big thumbs up from me!

Still keen to stand on the open deck of a vaporetto to capture snaps of the winter sights along the Grand Canal, it was surprising how icy cool the air was over water.  But the chill factor was definitely worth it to see one of Venice’s large Christmas trees shining brightly on the forecourt of the magnificent Santa Maria della Salute. This is exactly what I had hoped to see!

As I came to realise even in three days, winter is the perfect time to discover other Venetian gems that aren’t apparent in summer.  One such discovery was the Ristorante ai Barbicani, a short stroll across a canal from Campo Santa Maria Formosa.  The charm of this restaurant was lost on me in the summer without space for al-fresco dining, yet how delightful to enter its warm embrace in winter and enjoy a delicious seafood meal beside a cosy, open wood fire!

Venice’s other winter reveals: an expanse of snow-topped mountains across the lagoon illuminated by a brilliant sunrise that added to Venice’s wintry sparkle; ice-skating in San Polo; Christmas markets, mulled wine and nutella pancakes in San Stefano, and the many twinkling Christmas lights suspended across canals, calles and campos.

What took my breath away was not the cold weather, but the many unexpected and utterly delightful images and experiences of Venice in winter.

Personalised style

From the kaleidoscopic tiled floor to the use of shoe vamps as holders of pens, brushes and various other implements, shoemaker extraordinare Giovanna Zanella’s colourful personality is reflected in her eclectic store-cum-workroom.

An artisan with more than 10 years’ experience of making shoes, sandals and boots in an unobtrusive shopfront in Venice’s Campo San Lio, Giovanna works over her commissions as painstakingly as a sculptor would a composition in marble.

Giovanna Zanella at work

Amongst a cluttered medley of sandpaper, nails, pliers and rasps, one-of-a-kind creations in leather, fabric or animal skin are designed and given their own unique character. Whether ordering a bespoke pair or purchasing her own imaginative designs it is all about an experience, not a commodity.  With the passion and craftsmanship of a sculptor Giovanna unveils the spirit of the shoes.

Hand-made shoe store window

Giovanna Zanella’s shoe store window

For more, visit www.giovannazanella.it.

 

 

 

 

Flirting with change

I recently read Diane von Furstenberg’s book, The Woman I wanted to be. In this she was honest about her intuitive risk-taking such as developing her brand’s cosmetic and fragrance lines, and her resilience when she was confronted by the need to change.  Full credit goes to her who, when starting over and reintroducing her brand at the age of 50, declared ‘beginning again made me feel young and fearless...’

Her most recent change was to hand over the reins of her brand’s artistic endeavours to Scottish designer, Jonathan Saunders.

Saunders has reincarnated the iconic wrap dress through incorporating asymmetrical and bias cut treatments. This styling, together with midi and floor length options, has elongated the silhouette and shifted the traditional emphasis from the wrapped waist.

He has used clever piping detail to infer a wrapping mechanism for example in the Bournier Acid Yellow Bias Midi Dress. He takes the piping from the neckline and follows the asymmetrical line across and down the body, and again from the side of the waist as if gracefully encircling the silhouette.

Saunders has endowed a measure of resilience into the wrap dress that matches that of the brand’s eponymous creator.  I can’t wait to see what they both have in store for us next.

Colour me neutral

sea-shells-1235586_1280It’s easy for us to apply our make-up as a matter of habit most mornings, repeating favourite eye shadow and lip combinations.  But occasionally inspiration can trigger a change.  Inspired by images from New York Fashion Week of models for Jonathan Simkhai’s show, I attempted a change to barely coloured eye-lids and shimmery pale pink lipstick.  Bronzer on the cheeks gave a welcome hint of colour to save a washed-out look.

I may choose to use this combination only on weekends but it was fun to mix it up a bit and try something new.

 

 

Fits like a glove

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We can all do with some comfort and style.  It’s true that I begrudge wearing anything but a reasonable high-heeled shoe.

However, the mule appears to be making a comeback of sorts.  It may have been George Bernard Shaw who said, “If a woman rebels against high-heeled shoes, she should take care to do it in a very smart hat.”  Or, I would add, in a pair of Stuart Weitzman mules. I love the detail of this design from the luxurious suede, tassels and embossed fabric that contrasts the suede across the toe and defines the shoe’s profile.

These are a must when travelling through airport security – easy to slip off without the hassle of undoing buckles or straps.

Madame Butterfly

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It’s always fun to discover something new.  On a recent visit to New Zealand, discovery was all about the Marlborough region on the north-eastern tip of the South Island. Not only did I discover the wonderful wine and pretty scenery of that part of the country, but a new artist as well.

A local artist and designer from Wellington, Jo Luping, created the Manuka Blue and White Collection which showcases the manuka flower and copper butterfly – which I discovered were native to New Zealand.  Her influences include her mother who was a collector of blue and white porcelain and Japanese aesthetics of simple elegance.

I love the ceramic plate and matching water tumblers that not only look fabulous on a dresser but will be pretty to use when friends come by.

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Shoe style in Venice

I came across this fabulous little store as I wandered around the Venice area of Dorsoduro. The pleasant shop assistant explained that the designer, Michel Letizia, used a technique where the colourful and whimsical patterns are ‘tattooed’ directly on to the wooden platform heels.

I’m glad I’m in Venice for a bit longer as it will give me more time to decide which pair I like best!

Check out the website (www.dueitaliani.it) for their sneaker range.